SOS EDUCATION
SOS EDUCATION
School of Media and Language
PRE-ORDER VOL.4 RELATIONSHIP
PRAI IJING, a Village Above The Stone
Stories
Disrupting Indonesia’s Colonial Past
Tilem. Disruptive Liminalities is an inaugural solo exhibition by Zico Albiquini curated by Sadiah Boonstra. Through the spirit of the Jeprut art movement, Zico disrupts the colonial history that shapes exhibition practices and the globalised standard of art. He creates new layers of meaning and new possibilities of how we can look at our colonial past and empower our future within and outside the space of art practices.
Arushi Kapoor on the Art Industry, Technology and Empowering Women and Minority Artists
Arushi Kapoor is an art curator, collector, dealer and the founder of Arushi Gallery, a contemporary art gallery focusing on emerging female and minority artists. On this occassion, she talks about her curatorial practice, the art industry, technology in the art world and empowering women and minority artists.
Hamza El Baciri , Digital Contemporary Artist from Taza, Morocco
We invited Hamza El Baciri, also known as Nejma’s Salt, a digital contemporary artist from Taza, Morocco to talk about his creative process. He then delves deeper to interpret three of his artworks representing the three themes that have inspired him.
Exploring the Faces of Masculinity
Nigerian photographer, Etinosa Yvonne, explores the meanings and perceptions of masculinity through a vibrant series of photographs and conversations encapsulated in a project she named ‘Unboxed’. Instead of conforming to the dominant ideology of masculinity, ‘unboxed’ encourages people to question and evaluate it.
Oh Annie Oh: Don’t Call Me Exotic
Don’t Call Me “Exotic” is a podcast created by a DJ, radio presenter and promoter, Oh Annie Oh. What started as a platform to generate conversations responding to the rise in anti-Asian hate, now has expanded into a platform that shares a wider collective experience, as Annie chats with creatives about confronting racism, celebrating diversity, culture and uplifting community. This Thursday, March 3rd, Season 2 of Don’t Call Me “Exotic” will be out on Apple Podcasts, Acast and Spotify.
U.SHERO, an Exhibition that Exists Outside the Concepts of Time and Spice
Alongside Yadikar Ibragimov, Guzel Zakir created an exhibition called U.SHERO, that exists on the basis of singularity. A concept that frees them from any financial, physical, and emotional burdens of putting together a conventional exhibition. From Almaty, Kazakhstan, they present to the world the Uyghur women as cultural code holders.
“Art Jakarta Gardens” Highlights
April 14th, was the last day of this year’s Art Jakarta. An annual art fair with a fresh and innovative concept this year, as it integrates art in both outdoor and indoor contexts. Held in Hutan Kota by Plataran, Jakarta, they showcased artworks exhibited by galleries in two site-specific tents built for the art fair, and throughout a sculpture garden set in a beautiful tropical forest in the centre of Jakarta.
Natisa Jones, a Visual Artist Championing Imperfections and Chaos
Through her art, Natisa Jones explores human experiences and records her most honest and raw feelings. Her art thrives on mistakes, imperfections, and chaos. The strokes of paint on her canvas are never calculated and planned. Through this, she wants to encourage people to see the power behind vulnerability and imperfection
“We Are Here to Stay”, Ramia Baladel on This Year’s Marrakech Film Festival.
Marrakech Film Festival (MsFF) is coming back this year for a second edition starting the 23rd of September until the 30th of September 2022. “We are here to stay,” Ramia Baladel, the founder and president of the MsFF expresses. After she was met with restrictive circumstances during which Ramia and her team was organising the first edition at the start of the pandemic, they want this edition to be the starting point of the platform in working towards their missions.
Mohammed Ismail on Revitalising Libya’s Identity
Mohammed Ismail, the founder of Libyan Tales shares that there is more to Libya than its political turmoil. He showcases a side of Libya that has been sadly forgotten through a series of visual records of the past, mending misconceptions ignited by the uprising.
Mia Raz on Being Your Own Muse
Singer and songwriter, Mia Raz, recently debuted her album M-Ocean (read, M-otion) inspired by her journey of self-love through dancing, yoga, and meditation. This album is set to inspire us to let go of all the tensions we carry in our minds and bodies. It tells us to release all the pressure we put on ourselves to be better than we are, approved, adored, and loved. It pushes us to learn to accept, appreciate, care for, and love ourselves.
The Amazigh
A lot of us may have been more familiar with the term ‘Berber’ than ‘Amazigh’. A term that we very commonly used to refer to the indigenous people of North Africa. A lot of the time, we have used the term ‘Berber’ without realising the violent colonial past associated with it. To call these indigenous people “Berber” is to call them ‘Barbaric’.
Amazigh (singular) or Imazighen (plural) - meaning, free people are terms that these indigenous people have defined themselves with instead. It is a way for them to fight discrimination and reclaim their identity. Centre to Amazigh culture is what they called the ‘trinity’. It encompasses the three major themes that have now been accepted as the wider Moroccan identity: “the importance of language (Tamazight), the pervasiveness of tribal democratic system and kinship system (ddm), and the strong connection to the land (tammurt)”, shares Tarwa N-Tiniri.
As featured in JoCP #1 - Identity
Tarwa N-Tiniri
A group of six young musicians from Ouarzazate, Morocco called Tarwa N-Tiniri is carving out space for their music and culture on the global stage. Through their music, they represent and educate people on their Amazigh culture and tradition. In the process, they have reclaimed their identity by rejecting the use of the discriminatory term ‘Berber’ which has been widely used to refer to the indigenous people of North Africa. They have reclaimed the indigenous word ‘Amazigh’, meaning ‘free human’ by introducing themselves only as that.
Publications by the Global Majority
Sacks of Spice Press
For Her Musings X Journal of Creative Pursuit
Model Funmi Olagunju Reclaims Her Voice Through Writing